The Complete Phantom of the Opera (Owl Books) Review

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The Complete Phantom of the Opera (Owl Books) ReviewAs a hardcore Phantom fan, I am always looking for more information on the play. I came across this amazing book in the public library in my town and was amazed at the detail. There was so much that I didn't already know, and I knew a lot. I wanted to keep on renewing the book and never give it back but a good friend of mine, who is also very adamant about Phantom, went searching for this book that I wouldn't shut up about and bought me a copy. I love it. It includes info on the opera house, Gaston Leroux(the author of the novel on which Andrew Lloyd Webber's play is based), the story behind the novel, Lon Chaney's film, other versions of the film and other plays, Andrew Lloyd Webber's version, and the Libretto. This is the most complete and well written book on the play I've come across. George Perry reveals the intricacies of the production from make-up to costumes to set to everything. I consider this a valuable part of my Phantom collection and I highly recommend it to anyone who likes this play or theater in general. It rocks!The Complete Phantom of the Opera (Owl Books) Overview

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The Megamusical (Profiles in Popular Music) Review

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The Megamusical (Profiles in Popular Music) ReviewAlthough I've listened to the scores of "Phantom of the Opera," "Cats" and "Les Miserables," I never felt passionately about them. In fact, "Cats" always annoyed me (I'm a dog person myself, and where's the plot?). Author Jessica Sternfeld, however, seems to convey an affection for these large, motif-laden scores in her book "Megamusicals." The book combines Sternfeld's detailed, scholarly examinations of these scores, particularly repeated phrases, pastiches and the use of historical themes, with backgrounds on the conception and production of these shows as well as other megamusicals, including "Jesus Christ Superstar," "Miss Saigon" and "Chess."
Her clear, dynamic prose keeps readers moving through the book, although a few of the denser passages on musical theory are a bit of a slog for non-musicians. (There were a few "oh, yeah" momemnts, however, particularly in her exploration of "Phantom"). I did enjoy reading the narratives on the shows' history, significance and critical reception. Sternfeld is not uniformly approving of what Lloyd Webber and Schonberg did in these musicals, but she does bring out enough depth to make me want to hear them again. I think she does a fine job at defining a subgenre of musical theater, particularly since the genre itself seems to have sunk with "The Pirate Queen." Megamusicals created fantastic worlds through state-of-the-art tech, broad themes and sung-through scores, as Sternfeld and her predecessors, cited at length in the narrative, teach us. You can appreciate the artistry of some of these shows without giving up your allegiance to Sondheim.The Megamusical (Profiles in Popular Music) Overview

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Andrew Lloyd Webber (Yale Broadway Masters Series) Review

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Andrew Lloyd Webber (Yale Broadway Masters Series) ReviewJohn Snelson's book is a good academic treatment of Lloyd Webber's work, not a biography. Snelson looks at Lloyd Webber's work as a whole, comparing themes, Lloyd Webber's maturation as a composer, other elements of his work and posits Lloyd Webber as a Broadway Master. While it may lean a little too favorable to the composer, particularly with regards to his recycling of previous material, it is a good read and probably the most insightful look at his work that I have read.Andrew Lloyd Webber (Yale Broadway Masters Series) Overview

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Lion King Broadway Selections (Easy Piano) Review

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Lion King Broadway Selections (Easy Piano) ReviewI purchased this for my daughter so she could play Lion King songs on the piano for her son (my grandson) who loves everything about the Lion King. I can picture them having a fun sing-along time!Lion King Broadway Selections (Easy Piano) Overview

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