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Rock opera;: The creation of Jesus Christ superstar, from record album to Broadway show and motion picture ReviewThis book was an extraordinary adventure for me, as I wrote it {and I did write the ENTIRE book} within two years of leaving The New York Times and setting out on a new area, the world of film and film music and rock and rock opera. I was heavily involved for a year working with, advising The Who, Neil Diamond, Rick Nelson, even Lorretta Lynn and Brenda Lee. I had the distinct honor of introducing Elton John to the U.S. in his first appearances in New York and Philadelphia. Then came my time as manager of artist relations for MCA, and meeting Tim Rice, who's been a friend since, and Andrew Lloyd Webber, who's been an acquaintance since (I'm sure he has some friends, I just don't know that many of them, as they tend to be royalty or very upper class British). I was there with them from one of their first visits to the U.S., when they had very little money and actually had to stay in my apartment, to the debut of their rock opera Jesus Christ Superstar and on to the movie and their other works, such as Evita, Chess, Cats, Phantom of the Opera, Aspects of Love, etc.
I consider myself so very blessed to have been in the "right" place at the "right" time and to have participated in their/these lives and careers.
And if it had not been for Loretta, I would never have renewed my interest in Patsy Cline and written so often of her.
Rock Opera:The Creation of Jesus Christ Superstar is worth the price if only for the incredible photo gallery. Of course, I hope you find the writing interesting, too.
I am amazed at how many people still treasure this book and how many colleges use it in their theater courses.
Ellis Nassour, New York, July 2001
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