Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

The Illuminated Rumi Review

The Illuminated Rumi
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The Illuminated Rumi ReviewRumi, Coleman Barks, and Michael Green have collaborated on the most beautiful book I have ever seen (and I have seen a lot). Rumi's poetry trancends the artificial boundaries of religion, and speaks to anyone sincerely on the spiritual path. He captures the burning, the longing for the end of separation from God.
When I first became aware of Rumi's poetry, I was sure that it was about earthly love between humans here on earth. As I absorbed it more completely, I came to realize that all of his poetry, even his love poetry (which is very suitable for passing on to a loved one) is communicating with God.
Coleman Barks has done an amazing job of giving Rumi's work an accessable voice. He has truly given a gift for which we owe a huge debt of gratitude. Rumi provides the music, Coleman's translations provide the instruments.
Michael Green was obviously inspired by his collaborators to reach his own level of genius in the illustrations. I love the way he combines images from different cultures, different times, and from different disciplines both scientific and artistic! A desert oasis with a photo shot by the Hubble Space Telescope for the sky... The juxtaposition of fractal geometry with images from cultural art... I would gladly hang any of the original art from this book on the walls of my living room.
This book has been and continues to be my favorite gift to people who "get it," and I've probably handed out over 20 copies in the last two years. Do yourself a favor and buy it. I bet you'll be back for more copies.The Illuminated Rumi Overview

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Killing Rommel: A Novel Review

Killing Rommel: A Novel
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Killing Rommel: A Novel ReviewThe short line on Steven Pressfield's new book: the best. It almost hurts to write that because I've hung to Gates of Fire for a decade at the top of my best books ever list, a list that includes books from a wide genre, Victor Hugo to Stephen King, Tom Clancy to Par Lagerkvist, Mark Helprin to Howard Fast and everywhere in between. Pressfield's characters captured me from the first pages, and this tale of honor among men refused to let me put the book down. If you are a Pressfield fan, this book will not disappoint you on any level. If you are new to Mr. Pressfield, this book will encourage you to read his others.
I am particularly fond of historical novels because I consider them a painless way to learn history. Mr. Pressfield has never failed to teach his readers all the details within the historical context in which he writes, in this case, about the little known Long Range Desert Group, the LRDG, the predecessor to Special Forces as we know them in the modern era.
The story is simple: the memoir of a LRDG lieutenant who is part of a mission to kill Field Marshall Rommel and thereby disrupt the Axis control of North Africa and its hold on oil assets in the Middle East during World War II. The characters are noteworthy: average men with simple vocations who rise above their commonality in extraordinary circumstances by committing themselves to a mission simply because it was their job. The prose is crisp and fast and the story moves quickly and with intensity.
That is the short of it: great story with great characters that is impossible to put down until you've finished the final page. Scrupulously researched like all Pressfield books and packed with the type of action that would draw viewers to the big screen in droves. Hollywood cannot let this one pass. That's the short of it. If you need more, please continue .....
Steven Pressfield is a literary risk-taker: he started with a mystical golf journey, moved into the realm of ancient Greek history and now finds himself in the blistering deserts of North Africa surrounded by Rommel's Africa Corp. The common thread: ordinary men are capable of uncommon deeds when their purpose is fixed and their hearts are committed. Pressfield has told his stories as a fictional character, as a mythical woman, as a real historical character and now as Everyman in the guise of Lt. Chapman, "Chap" who finds himself in the middle of an unthinkable mission to cut off the head of the snake, to kill arguably the most dynamic military mind of modern warfare, Field Marshall Erwin Rommel.
As I journeyed through Mr. Pressfield's ancient histories, I was always very comfortable with his prose. It immersed me into a world, ancient and distant from my own. His prose is part of his genius as it captures the flavor of his historical era. Killing Rommel is his best writing yet. Mr. Pressfield has even elected to use the `s' in place of the `z' as is common in the King's English, "civilisation," for example instead of "civilization;" "tire" becomes "tyre." The choice of words and sentence structure help set the mood of the book by thrusting the reader into the 1940's. The reader becomes a part of the story.
From start to finish, our narrator emphasizes the character of Rommel, chivalrous and honorable. Despite Rommel's admirable personal qualities, the Allies are convinced that without him, the Axis struggle in North Africa will collapse, hence Churchill's directive to kill Rommel. I will not reveal any of the many twists that Mr. Pressfield has crafted, but when I finished the book, I held the same respect for the Desert Fox that was shared by Eisenhower, Patton, Montgomery and the members of the LRDG, heroes all. Within hours after finishing the book, I found myself contemplating how the German Republic could have produced two, such diverse characters at each end of the proverbial spectrum as Erwin Rommel and Adolf Hitler. How could one wage war with regret and honor while the other directed the murder of millions of innocent people? Intentionally or not, Mr. Pressfield elicited these questions from me as I read this book. While there is no answer, the future requires us to ask ourselves such questions as we reflect on our past.
You probably already know that Rommel was not killed by the LRDG or any other group of Allies. The pursuit and the encounter however will make this harrowing journey through the desert more than worthwhile.
I am a slow reader. A solid 80% of the books I read are novels. Only once in my life have I ever sat and read a book from cover to cover with no breaks. One Friday evening in 1971 while in pilot training in Georgia, I opened The Exorcist and didn't put it down until early the next morning, scared witless I might add. Thirty-seven years later, older and wiser, I did the same thing with Killing Rommel; I devoured it in a single night. This time when I put the book down, I felt pride to be able to call myself a true brother-in-arms to soldiers past, present and future.
Four decades ago while still a senior in college, I read Armageddon by Leon Uris. That is the only novel I have ever used a magic marker on. Within the last month, I had that old 1963 copy out and found exactly the passages I was looking for thanks to that blue marker. Last week, once again, I broke out a marker and wielded it for the first time in 40 years while I read Killing Rommel. I sensed early on that this is a special book. I was right. In what is certainly a profound, autobiographical conviction, Mr. Pressfield has Chap's 'dear friend and brother-in-law' include these words in Chap's eulogy, "Literature was his religion. He believed in the written word, in the soul-to-soul communion between writer and reader that takes place in the silence between the covers of a book."
American historian and philosopher Will Durant once said, "We Americans are the best informed people on earth as to the events of the last twenty-four hours; we are the not the best informed as to the events of the last sixty centuries." For a decade now, Steven Pressfield has given us a very entertaining way to play catch up. We need to thank him and exploit his efforts. Mr. Pressfield believes in the written word.
Killing Rommel: A Novel Overview

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Burlesque and the Art of the Teese/Fetish and the Art of the Teese Review

Burlesque and the Art of the Teese/Fetish and the Art of the Teese
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Burlesque and the Art of the Teese/Fetish and the Art of the Teese ReviewAnd very simply the best book of its kind -- beautifully produced, with stunning visuals by great photographers, superb art direction and, of course, Dita. She re-invents glamour. It takes a remarkable model and some great stylists to hold your attention through a one-woman "show" like this, but she does it, and looks great throughout, over the course of an unbelieveable variety of settings, wardrobe, lack of wardrobe, styles and situations. Nothing lewd at all, in fact there is no nudity in this book. It's the "teese" that keeps you interested. You will not go wrong, a very, very well done book that you will be happy to own.Burlesque and the Art of the Teese/Fetish and the Art of the Teese Overview

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Times Square Style: Graphics from the Golden Age of Broadway Review

Times Square Style: Graphics from the Golden Age of Broadway
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Times Square Style: Graphics from the Golden Age of Broadway ReviewFlick through this lovely paperback and you'll realise that the style of Times Square is to have no style apart from a bubbly exuberance, which jumps out from two hundred graphics shown.
Some wonderful material has been selected, the chapter on the Great White Way has a spread of eighteen beautiful theater (always spelt theatre) programs and over the page illustrator Franz Felix has four stunning covers for Theatre Magazine. A nice touch is a page of eleven half-torn theater tickets (1947 to 1958) produced, it seems, by some local jobbing printer. Sign Spectaculars chapter includes ten postcards from 1914 to 1955 revealing the amazing neon displays around the Square. I've always noticed, over the years, the Bond Clothing store and their neon claim of Two Trouser Suits, now long gone I expect.
The nine chapters just about cover everything the Square had to offer and the range of graphic material shown is very impressive. Well designed and printed, I think this super book will interest graphic designers, pop culture fans and New Yorkers who want a souvenir of their famous Crossroads of the World.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
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