Ever After: The Last Years of Musical Theater and Beyond Review

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Ever After: The Last Years of Musical Theater and Beyond ReviewPrimarily Barry Singer's compilation (with some re-editing) of pieces he wrote for a number of publications, perhaps most notably The New York Times, Ever After: The Last Years of Musical Theater and Beyond is intriguing as surface-level look at the last couple of decades in musical theater. It's useful for little else, however--Singer speeds through discussions of important shows, wastes time detailing events and productions of minor importance at best, and never provides a truly engaging or thought-provoking point of view. Instead, he attempts to pass his opinions off as fact, which results in a number of statements of questionable veracity that have been noted by theater writers and critics from the esteemed Mr. Miller to Peter Filichia. Perhaps even more unfortunate is that Singer's chronicle covers exactly the same time period as Ethan Mordden's forthcoming The Happiest Corpse I've Ever Seen: The Last 25 Years of Musical Theatre; Singer's Ever After does not stand up well to Mordden's latest volume, coming across more as a simpleton's whining screed opposite an intelligent and informed gentleman's thoughtful analysis. Ever After is perhaps most enjoyed and appreciated by those with little functional knowledge of the workings of New York theater; they're likely to find Singer's anecdotes more interesting than people who know it's possible cover the subject in considerably more depth than Singer attempts.Ever After: The Last Years of Musical Theater and Beyond Overview

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