Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement (Theater: Theory/Text/Performance) Review

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Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement (Theater: Theory/Text/Performance) ReviewThis book is an epic movie about an epic movement. "Playing Underground" is a book the world has waited for without knowing it. New York's off-Off Broadway theatres in the 1960's created the styles that mark Post-Modern art--not only stage plays but films and music as well. I know. I was there. How precisely this book captures the evolution of our revolution! I am amazed by its scope and scale, and I bless its author especially for giving two greats, playwrights Paul Foster and H.M. Koutoukas,their proper, polar places, and for memorializing such unjustly forgotten masterpieces as Irene Fornes' "Molly's Dream" and Jeff Weiss' "A Funny Walk Home." Stephen Bottoms' vivid evocation of the grand adventure of Off-Off Broadway has woken and broken my heart. It is difficult to believe that he was not there alongside me to breathe the caffeine-nicotine-alkaloid-steeped air. The photographs show how we flaunted our youth and imagination in the dark, dusty, often dirty coffeehouses, churches, galleries, basements, and "black boxes" where modern theatre--and so much more--began.
Robert Patrick, author of "Kennedy's Children," "Temple Slave," and "Film Moi: Narcissus in the Dark"Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement (Theater: Theory/Text/Performance) Overview

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